DeNoise and DeReverb allow you to remove background audio and reverb from your sound respectively. Premiere Pro can now scan your audio and clean it up using two new sliders in the Essential Sound panel. Red stays red no matter if it’s displayed in Premiere Pro, After Effects, or Photoshop! Premiere Pro can now establish the color space of your particular monitor and adjust itself accordingly to compensate for color irregularities across the suite. Combined with the robust networking features in Premiere Pro and symbiotic nature of the Adobe suite of applications this seems like a nice way to work on VR projects with a larger collaborative scope.Īdobe has integrated a smart new feature that takes some of the guesswork out of setting your editing station color space. I’m just wetting my feet with VR but I can see how this could revolutionize the workflow for production houses integrating VR into their production workflow. Before you had to remove your headset to do any tagging but now you can keep your HMD (Head Mounted Display) on and keep cutting.
Specific focal points can be tagged and identified in the same way you would in your boring 2D content.
SCREEN CAPTURE FORMAT THAT WORKS WITH PREMIERE PRO FULL
Premiere Pro supports full native video editing for 180 VR content with the addition of a virtual screening room for collaboration. I just downloaded Rush today to my phone to put it through it’s paces so I’m saving that application for last but my first rundown of Premiere Pro’s new features is ready to go! Because the updates are so extensive, I’ve decided to do a multi-part series of DDMC entries that focuses on the new changes in detail for Premiere Pro, After Effects, Photoshop/Lightroom, and a new app Premiere Rush. It’s fall, pumpkin spice is in the air, the holidays are Christmas decorations are going up, and software giant has just released updates to their entire Creative Cloud suite of applications.
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